9/22/2023 0 Comments Amelie movie 2001Amélie is not a fantasy as such, yet it often feels like one. The familiar visual trickery that makes up a Jeunet film therefore seems well-suited to the fantastical theme of the story. How does one find love and companionship in the bustle of modern society, especially when one does not fit in? “Times are hard for dreamers,” one character says. The opening credit sequence is a montage of the growing Amélie performing childish activities – playing with dominoes, making music with glasses, eating raspberries from her fingers etc.Īnother notable feature of Jeunet’s films is that they are populated with oddballs, misfits and outcasts – only this time the heroine’s individuality and isolation are what the movie is about. Jeunet is said to have been collecting the little impressions and events that make up Amélie since 1974. Trivial incidents that happened on particular dates are drawn to our attention – nuns playing basketball, for example. Characters are introduced with a montage describing their likes and dislikes, covering everything from piercing the crust of crème brûlée with a spoon to watching a bullfighter getting gored. Here he has a heroine and other characters who make a virtue out of those qualities. Jeunet’s movies have always been about finding pleasure in small things, and noticing the little details around us which other people miss. All the trends that can be incidentally found in Jeunet’s other movies are here presented as the film’s central themes. Amélie might be said to be a manifesto of Jean-Pierre Jeunet’s philosophy of film-making and storytelling.
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